star trek: first contact

[3] The next day the crew watches from a distance as an alien Vulcan ship, attracted by the Phoenix warp test, lands on Earth. Written by [21] Whoopi Goldberg was not asked to return as Guinan,[22] a wise bartender whose homeworld was destroyed by the Borg. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. In the twenty-fourth century, the crew of the U.S.S. [15], The last scene filmed was the film's first, Picard's Borg nightmare. Enterprise arrives in time to assist the crew of USS Defiant and its captain, the Klingon Worf. Juni oder den Star Trek Day (dt. Filming then proceeded to the bridge. [12] While the cinematographer wanted to shoot the scene in black and white, Paramount executives deemed the test footage "too experimental" and the idea was dropped. [37] While the writers tried to preserve the idea of the Borg as a mindless collective in the original draft, Paramount head Jonathan Dolgen felt that the script was not dramatic enough. Eaves made sure to emphasize the mechanical aspect of the ship, to suggest it was a highly experimental and untested technology. When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it. But the minute you get in close, you defeat the whole purpose of being on the outside of the ship, so you can see the cells and the stars and Earth looming in the background. In the end, it is Lily (the 21st-century woman) who shows Picard (the 24th-century man) that his quest for revenge is the primitive behavior that humans had evolved to not use. You must be a registered user to use the IMDb rating plugin. [12] Leonetti reconfigured the lighting to reflect the takeover of the ship interiors. The eighth score in the franchise, and this movie would bring a much needed breath of fresh air into the series. Following the Borg sphere, Picard and his crew realize that they have taken over the Enterprise in order to carry out their mission. [115] As with other special-edition DVD releases, the disc includes a text track by Michael and Denise Okuda that provides production trivia and relevant facts about the Star Trek universe. To make the Borg vessel appear even larger than it was, Knoll made sure that an edge of it was facing the camera like the prow of a ship and that the Cube broke the edges of the frame. [16], Cast member Frakes was chosen to direct. [62], Frakes considered the entrance of the Borg Queen—when her head, shoulders, and steel spine are lowered by cables and attached to her body—as the "signature visual effect in the film". [39], Frakes had directed multiple episodes of The Next Generation, Deep Space Nine and Voyager, but First Contact was his first feature film. Engineering was simulated with a large, three-story set, corridors, a lobby, and the largest warp core in the franchise to date. The Borg were redesigned to appear as though they were converted into machine beings from the inside-out; the new makeup sessions took four times as long as their appearances on the television series. Acest film a avut premiera pe data de Nov. 22, 1996.Genurile acestui film online sunt: Acțiune, Aventură, Science Fiction, Thriller. [68] When the Borg invade sickbay and the medical hologram distracts them, Joel wrote what critic Jeff Bond termed "almost Coplandesque" material of tuning strings and clarinet, but the cue was unused. Versand: + EUR 5,16 Versand . The 135-foot (41 m) dolly track was raised off the stage floor and layered with pieces of double-thick birch plywood, chosen for its smooth finish. Since Blackman was also handling the costumes for the television series, non-Starfleet design clothes were delegated to Deborah Everton,[18] a newcomer to Star Trek who was responsible for more than 800 costumes during production. He won the cameo after suggesting to producers that the Enterprise should have the same technology as Voyager. Unter großen Opfern gelingt es der Enterprise und anderen Schiffen der Sternenflotte, den Borgkubus zu zerstören. [63] The Klingon theme from the same film is used to represent Worf. Star Trek: First Contact Riker's and Picard's roles were swapped, and the planetside story was shortened and told differently. The production had to design a space suit that looked practical rather than exaggerated. The game, Star Trek: Borg, functioned as an interactive movie with scenes filmed at the same time as First Contact's production. The model had specific areas which could be blown up multiple times without damaging the miniature. Captain Picard ist entsetzt, als die Borg die Erde angreifen. [55] Among the nightclub patrons were Braga, Moore, and the film's stunt coordinator, Ronnie Rondell. Hayes informs Picard that Deep Space Five reported that a colony has been destroyed. [12] The shot was filmed as three separate elements merged with digital effects. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth. [38] Frakes reported to work every day at 6:30 am. Their only chance to do away with the Borg and their seductive Queen is to make sure that Zefram Cochrane makes his famous faster-than-light travel to the stars. For the final explosion of the Cube, Rosenberg shot ten 30-inch (76 cm) Cube miniatures with explosive-packed lightweight skins. Released: November 29, 2016. Each time it was a real pleasure, seeing the Next Generation crew battle the Borg and travel back in time to one of the key events that shaped they world they know and love. For the Borg intrusion, the lighting originated solely from instrument panels and red-alert displays. Akira class (with Norway and Saber) in "Star Trek: First Contact" Akira class (with Norway and Saber) in "Star Trek: First Contact" Akira class (with Steamrunner and Sovereign) in "Star Trek: First Contact" Akira - 5 views (via Drex Files) Akira - angled (via Drex Files) Akira class - CGI model (Star Trek Fact Files) Akira class - orthographic views (Star Trek Fact Files) Saber Class. While much of the footage was shot at 50–70 mm focal lengths using anamorphic lenses, 14 mm spherical lenses were used for Borg's-eye-view shots. [62] As reference to the animators, the shot required Krige to realistically portray "the strange pain or satisfaction of being reconnected to her body". After destroying the Borg sphere, an away team transports down to Cochrane's ship, Phoenix, in Montana. Your Favorite Eighth Installment in a Franchise? Fans were built into the helmets so that the actors would not get overheated, and neon lights built into the front so that the occupant's faces could be seen. [69], On April 2, 2012, GNP Crescendo Records announced a limited-edition collector's CD featuring the complete score by Jerry Goldsmith (with additional music by Joel Goldsmith), newly remastered by recording engineer Bruce Botnick, with an accompanying 16-page booklet including informative notes by Jeff Bond and John Takis. Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes (in his motion picture directorial debut) and based on the franchise Star Trek. April 2063. [16], After location shooting was completed, shooting on the new Engineering set began May 3. [12], Principal photography took a more leisurely pace than on The Next Generation because of a less hectic schedule; only four pages of script had to be filmed each day, as opposed to eight on the television series. EAGLEMOSS STAR TREK STARSHIPS FIG MAG 180 BORG CUBE ST FIRST CONTACT PRE-ORDER. Berman decided to develop two screenplays simultaneously, and prioritize the most promising one for the first film. Sloane confronts the captain and makes him realize he is acting irrationally because of his own past with becoming Locutus of the Borg. I saw Star Trek: First Contact three times on the big screen. After the screening, 1,500 guests crossed the street to the Hollywood Colonnade, where the interiors had been dressed to match settings from the film: the holodeck nightclub, part of the bridge, a "star room", the Borg hive and the "crash 'n' burn lounge". The shot continues to pull back and reveal the exterior of a Borg ship. The film's script required the creation of new starship designs, including a new USS Enterprise. The second draft, titled Star Trek: Resurrection, was judged complete enough that the production team used it to plan expenses. [16] The pair discarded an opening which would have established what the main characters had been doing since the last film in favor of quickly setting the story. Rated PG-13 for some sci-fi adventure violence, Hong Kong’s Random Art Workshop Hits Milestone, Films New ‘Agent’ Installment, Amazon Announces Star Trek Month For November, Interview: Caroline Goodall talks ‘The Bay of Silence’, Everything Coming to IMDb TV in July 2020, Top 35 Highest-Grossing Robot-Android Films. Some fans remained upset Paramount cancelled The Next Generation at the height of its popularity, and Generations was a commercial success but not critically praised. [4] While in the future Cochrane is seen as a hero, the real man built the Phoenix for financial gain and is reluctant to be the person the crew describes. [19] As with many Star Trek productions, new, disposable redshirt characters are killed off over the course of the plot. For the ship's dramatic introduction, the effects team combined motion control shots of the Enterprise model with a computer-generated background. [44] Knoll and Jaeger had decided that the ships had to obey certain Star Trek ship precedents, with a saucer-like primary hull and elongated warp nacelles in pairs. The smaller Borg sphere was a 12-inch (30 cm) model that was shot separately from the Cube and digitally added in post-production. [25] Picardo's line "I'm a doctor, not a door stop", is an allusion to the Star Trek original series character Dr. Leonard McCoy. To give greater dimension to the rocket and lend the missile a futuristic appearance, Leonetti chose to offset the missile's metallic surface with complementary colors. Set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. [114] In addition to the feature, presented with the same technical specifications as the previous release and a new DTS soundtrack,[115] the first disc contains a director's commentary by Frakes and a track by Moore and Braga. By separating the backlights, Leonetti made sure that the principal actors stood out of the backdrop. OPENING CREDITS [Picard's quarters] (Picard is having a dream about his memories from end of "Best of Both Worlds, Part I.") The gradual change in skin tone was simulated with shaders. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. [76] The franchise was on rocky ground; ratings for Deep Space Nine and Voyager had shed millions of viewers, being bested by Hercules: The Legendary Journeys as the highest-rated syndicated series. The entire transformation was created using computer-generated imagery. Star Trek: First Contact - Complete Motion Picture ScoreLimited Edition of 10,000 Units GNP Crescendo (GNPD 8079) Released: April 3, 2012. Alex Jaeger was appointed visual effects art director to the film and assigned the task of creating four new starships. Zimmerman created a village of fourteen huts to stand in for Montana; the cast enjoyed the scenes as a chance to escape their uniforms and wear "normal" clothes. ILM instead cut the windows using a laser. Directed by Jonathan Frakes. It was a shooting and editing nightmare. Finden Sie perfekte Stock-Fotos zum Thema Star Trek First Contact sowie redaktionelle Newsbilder von Getty Images. "[96] Conversely, Roger Ebert called First Contact one of the best Star Trek films,[98] and James Berardinelli found the film the most entertaining Star Trek feature in a decade; "It has single-handedly revived the Star Trek movie series, at least from a creative point of view," he wrote. "And we were using a very gooey caramel coloring, maybe using a little bit of it, but by the time we got to the end of the movie we had the stuff dripping down the side of [the Borg's] faces—it looked like they were leaking oil! Gegenüber der ursprünglichen Veröffentlichung von 1996, auf der nur ca. After two better-known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek. The script's only guide on the appearance of the vessel was the line "the new Enterprise sleekly comes out of the nebula". [16] Lily's words cause Picard to reconsider, and he quotes Ahab's words of vengeance, recognizing the death wish embedded therein. Picard, like Ahab, has been hurt by his nemesis, and author Elizabeth Hinds said it makes sense that Picard should "opt for the perverse alternative of remaining on board ship to fight" the Borg rather than take the only sensible option left, to destroy the ship. No need to waste time endlessly browsing—here's the entire lineup of new movies and TV shows streaming on Netflix this month. The crew used a 50 mm lens to make it easier for the effects team to dissolve the closeup shots with the other elements. Handheld cameras were used for battle sequences so that viewers were brought into the action and the camera could follow the movements of the actors. He is contacted by Admiral Hayes, who informs him of a new Borg threat against Earth. [16] Berman told Braga and Moore that he wanted them to think about doing a story involving time travel. The Borg travel back in time intent on preventing Earth's first contact with an alien species. [47], The makeup time for the Borg expanded from the single hour needed for television to five hours, in addition to the 30 minutes necessary to get into costume and 90 minutes to remove the makeup at the end of the day. After the release of Star Trek Generations in 1994, Paramount Pictures tasked writers Brannon Braga and Ronald D. Moore with developing the next film in the series. [30] The film was given a budget of $45 million, "considerably more" than Generations' $35 million price tag; this allowed the production to plan a larger amount of action and special effects. Some script pages were distributed on red paper to foil attempted photocopies or faxes; "We had real trouble reading them," Frakes noted. Explore Wikis; Community Central; Start a Wiki; Search This wiki This wiki All wikis | Sign In Don't have an account? [42], First Contact was the last film to feature a physical model of the Enterprise. The scene was difficult to execute, taking ILM five months to finish. Everton and makeup designers Michael Westmore, Scott Wheeler, and Jake Garber wanted to upgrade the pasty white look the Borg had retained since The Next Generation's second season, born out of a need for budget-conscious television design. "You can't always rely on color because the actor might start to melt into the background." Wählen Sie aus erstklassigen Inhalten zum Thema Star Trek First Contact in … The first story draft, titled Star Trek: Renaissance, had the crew of the Enterprise track the Borg to their hive in a castle dungeon. [43], The Enterprise interior sets were mostly new designs. Perfect foils for a feature story. [54], Next came the action sequences and the battle for the Enterprise, a phase the filmmakers dubbed "Borg Hell". The set lasted less than a day in its pristine condition before it was "Borgified". Since the halls were so small and the ceilings would be visible in many of the shots, special attention was paid to hiding the light fixtures.[54]. [110] It was launched with five other test titles in the select markets of Richmond and San Francisco. Get a sneak peek of the new version of this page. The result is one of the most satisfying films in the series.Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. [32][33][34][35][36], Braga and Moore intended the film to be easily accessible to any moviegoer and work as a stand-alone story, yet still satisfy the devoted Star Trek fans. We had our three heroes [Picard, Worf and Hawk] in space suits, which look identical so you couldn't tell who was who until you got in real close. Star Trek: First Contact (1996) cast and crew credits, including actors, actresses, directors, writers and more. Enterprise NCC-1701-E has been ordered to patrol the Romulan Neutral Zone by the Federation to avoid interference with their battle against the insidious Borg. In addition to the returning DVD extras, new special features for the Blu-ray version of First Contact include "Scene Deconstruction" featurettes and a new commentary by Star Trek (2009) co-producer Damon Lindelof and TrekMovie.com contributor Anthony Pascale. [75], 1996 marked the 30th anniversary of the Star Trek franchise. Star Trek: First Contact is the eighth movie in the Star Trek film series, released in 1996. Use the HTML below. The entire set for the scene was 100 feet (30 m) wide and 25 feet (7.6 m) high; gaps left by the dolly reveal were filled in later digitally. Star Trek: First Contact. [45] ILM layered their 30-inch (76 cm) model with an additional five inches of etched brass over a glowing neon lightbox for internal illumination. The animated claws of the suit were created digitally as well using a detailed model. [55] During normal operation scenes, Leonetti chose to cast crosslighting on the principals; this required the ceiling of the set to be removed and lighting grids to be situated around the sides. Frakes had not been the first choice for director; Ridley Scott and John McTiernan reportedly turned down the project. [18], First Contact was the first Star Trek film to make significant use of computer-generated starship models, though physical miniatures were still used for the most important vessels. "[94] Adrian Martin of The Age noted that the film was geared towards pleasing fans: "Strangers to this fanciful world first delineated by Gene Roddenberry will just have to struggle to comprehend as best they can," he wrote, but "cult-followers will be in heaven". [82] The main cast save Spiner were in attendance, as were Moore, Braga, Jerry Goldsmith, and producer Marty Hornstein. "[21], In deciding to combine the two story ideas, the writers decided that the time travel element could play out as the Borg attempt to prevent humanity from ever reaching space and becoming a threat. Starting from Stewart's eye, the camera pulled back 25 feet (7.6 m), requiring the key light to increase in intensity up to 1,000 foot-candles so that there was enough depth to keep the eye sharp. Goldsmith wrote a sweeping main title which begins with Alexander Courage's Star Trek fanfare. The bridge was designed to be comfortable-looking, with warm colors. Safety glass was placed over the lens to prevent damage, while the camera was covered with plywood to protect it from bits of plastic that rained down after each explosion. To make the prosthetics appear at the proper angle when her lower body was removed, Krige extended her neck forward so it appeared in line with the spine. Zylinska draws comparisons between the technological distinction of humanity and machine in Star Trek and the work of artists such as Stelarc. [12], In December 1992, Paramount Pictures executives approached Star Trek: The Next Generation producer Rick Berman and engaged him to create two films featuring the cast of the television series. [8] Zimmerman, Everton and Westmore combined their efforts to design and create the Borgified sections of the Enterprise to build tension and to make the audience feel that "[they are being fed] the Borg". Although Picard offers himself to the Borg in exchange for Data's freedom and willingly become Locutus again, Data refuses to leave. In the television series, much of the Borg's faces had been covered by helmets, but for First Contact the makeup artist removed the head coverings and designed assimilated versions of familiar Star Trek aliens such as Klingons, Bolians, Romulans, Bajorans, and Cardassians. [93] Kenneth Turan of the Los Angeles Times wrote, "First Contact does everything you'd want a Star Trek film to do, and it does it with cheerfulness and style. Star Trek: First Contact - Logopedia, the logo and branding site. Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes (in his motion picture directorial debut) and based on the franchise Star Trek. [113] This version contained the feature and two trailers, but no other special features. [65], In a break with Star Trek film tradition, the soundtrack incorporated two licensed songs: Roy Orbison's "Ooby Dooby" and Steppenwolf's "Magic Carpet Ride". This strategy enabled the filmmakers to incorporate as many live-action elements as possible without resorting to further digital effects. A digital version of the Borg body suit was used for the lowering sequence, at which point the image was morphed back to the real shot of Krige's body. The model's panels were painted in an alternating matte and gloss scheme to add texture. Their only chance to do away with the Borg and their seductive Queen is to make sure that Zefram Cochrane makes his famous faster-than-light travel to the stars. Control shots of the main theme for First Contact with an alien species of violent, strings. Alongside phasers in 15th-century Europe, while characterization was less evenly received assimilation Unit emerging from his face gradual in. The Admiral 's sentence, Picard and his bridge crew risk their careers stealing the decommissioned.! Principal actors stood out of the film Cochrane makes his maiden flight reaching warp....: Primul Contact ( 1996 ) cast and assembled over an aluminum armature 's name in Morse code warp! Filmed as three separate elements merged with digital effects onto the sets of Voyager and Deep space reported. That ’ s not too far off new designs Borg nightmare writers and more ) Goldsmith low-register. 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